Shadows on the Swanee

Once again, kudos to the folks at Columbia for their packaging. The Art Deco series has yet to disappoint me. This two-disc set is the companion piece to The Crooners (posted January 2009, get it while Rapid$hare lasts if you haven't already). I'm sure there are other notable singers who might have been included here, such as June Richmond, Victoria Spivey or Ella Fitzgerald. But to omit Anita O'Day? I also think they should have included Ethel Waters' version of Shine On Harvest Moon, which in my opinion is one of the finest. ...(suddenly a feeling of déjà vu, but a check on the blog tells me I didn't post this already) ... Back to reality, this is probably one of the best collections on two cds that I've ever found, and I'm glad to be able to share it with everyone. An added bonus, some time ago I had scanned the entire booklet and all, which is included as high-res.tif files in the first folder.. I'll stop writing so you can start listening. Enjoy. + +

Tracks
Ruth Etting
1. Ten Cents a Dance
2. I'm Good for Nothing But Love
3. A Needle in a Haystack

Helen Morgan
4. (I've Got) Sand in My Shoes
5. I See Two Lovers (w/Jimmy Grier and His Orchestra)

Greta Keller
6. He's My Secret Passion
7. Willow Weep for Me

Annette Hanshaw
8. Big City Blues
9. Daddy, Won't You Please Come Home
10. Moanin' Low
11. The Way I Feel Today
12. Love Me Tonight
13. Moon Song

Ethel Waters
14. I Just Couldn't Take It, Baby
15. Shadows on the Swanee

Connie Boswell
16. Lullaby of the Leaves
17. Under a Blanket of Blue
18. I Cover the Waterfront
19. Say It
20. A New Moon Is Over My Shoulder

The Boswell Sisters
21. Doggone, I've Done It (I've Fallen in Love)
22. Mood Indigo
23. Sophisticated Lady
24. I Hate Myself
25. Rock & Roll

Disc Two

Frances Langford
1. Stormy Weather
2. You're Hi-Di-Hi-Ing Me
3. Nasty Man
4. Then You've Never Been Blue

Alice Faye
5. My Future Star [From "365 Nights in Hollywood"]
6. Oh, I Didn't Know

Lee Wiley
7. I Gotta Right to Sing the Blues [Alternate Take][#]
8. You've Got Me Crying Again
9. Let's Call It a Day [Alternate Take][#] (with Victor Young and His Orchestra)
10. Easy Come, Easy Go (with Johnny Green and His Orchestra)
11. A Hundred Years from Today (with the Casa Loma Orchestra)

Helen Ward (with Ed Loyd and His Orchestra)
12. Let's Put Two and Two Together

Ella Logan
13. Night Wind
14. Doin' the Uptown Lowdown

Maxine Sullivan
15. I Wish I Were Twins
16. Loch Lomond
17. The Hour of Parting

Mildred Bailey and Her Orchestra
18. Mad About the Boy [Alternate Take][#]
19. I See Your Face Before Me [Alternate Take][#]
20. Love's a Necessary Thing

Nan Wynn with Teddy Wilson and His Orchestra
21. The Lamp Is Low
22. You Go to My Head

Ginny Simms and Her Orchestra
23. I Can't Face the Music
24. Sweet and Slow
25. I'm Out of Style

It's The Gypsy In Me

I credit the marketing people from Classics Chronological for me buying this one. I hadn't heard of Wingy Manone, but I liked what I'd heard from their massive series thus far, I like the faux 78rpm label, and the blue stands out. And get a load of Wingy's face grinning out at you. I kjnew it had to be fun, and Wingy does not disappoint in the least. Excellent music - but don't take it from me! Here's the bio from Allmusic.com, Wingy Manone was an excellent Dixieland trumpeter whose jivey vocals were popular and somewhat reminiscent of his contemporary, Louis Prima. He had lost his right arm in a streetcar accident when he was ten, but Manone (who Joe Venuti once gave one cuff link for a Christmas present) never appeared to be handicapped in public (effectively using an artificial arm). He played trumpet in riverboats starting when he was 17, was with the Crescent City Jazzers (which later became the Arcadian Serenaders) in Alabama, and made his recording debut with the group in the mid-'20s. He worked in many territory bands throughout the era before recording as a leader in 1927 in New Orleans. By the following year, Manone was in Chicago and soon relocated to New York, touring with theater companies. His "Tar Paper Stomp" in 1930 used a riff that later became the basis for "In the Mood." In 1934, Manone began recording on a regular basis and after he had a hit with "The Isle of Capri" in 1935, he became a very popular attraction. Among his sidemen on his 1935-1941 recordings were Matty Matlock, Eddie Miller, Bud Freeman, Jack Teagarden, Joe Marsala, George Brunies, Brad Gowans, and Chu Berry. In 1940, Manone appeared in the Bing Crosby movie Rhythm on the River, he soon wrote his humorous memoirs Trumpet on the Wing (1948), and he would later appear on many of Crosby's radio shows. Wingy Manone lived in Las Vegas from 1954 up until his death and he stayed active until near the end, although he only recorded one full album (for Storyville in 1966) after 1960. (Scott Yanow). Enjoy. +  - and Happy Thanksgiving!

Tracks

1. It Can Happen To You
2. It's The Gypsy In Me
3. Cottage By The Moon
4. And They Said It Wouldn't Last!
5. Fancy Meeting You
6. A Good Man Is Hard To Find
7. In The Groove
8. Let Me Call You Sweetheart
9. Easy Like
10. I Can't Pretend
11. Floatin' Down To Cotton Town
12. A Fine Romance
13. Formal Night In Harlem
14. Sweet Lorraine
15. Boo-HooYou Showed Me The Way
16. I Can't Lose That Longing For You
17. Oh, Say, Can You Swing?
18. The Image Of You
19. Don't Ever Change
20. (I Just Can't Imagine) Life Without You

Trav'lin' Light

Continuing to post at breakneck speed (the lines on the road just like like dots ...), here's a shorter cd (an LP re-release) from Charlie Spivak. This is the only Spivak in my collection, for some reason, even though I find it very listenable. From Allmusic.com (Scott Yanow), "Despite coming up in the jazz world and spending his life around jazz musicians, Charlie Spivak rarely improvised and was most notable for his pretty tone. He moved to the U.S. with his family as a small child and grew up in New Haven, CT. Spivak began playing trumpet when he was ten, gigged locally as a teenager, and worked with Don Cavallaro's Orchestra. During most of 1924-1930 he was with Paul Specht's Orchestra, primarily playing section parts where his tone was an asset. Spivak was cast in the same role with Ben Pollack (1931-1934), the Dorsey Brothers (1934-1935), and Ray Noble. He worked in the studios during most of 1936-1937 and then had stints with the orchestras of Bob Crosby, Tommy Dorsey, and Jack Teagarden. Spivak formed his own band in November 1939 (financed by Glenn Miller) and, although his first orchestra failed within a year, his second attempt shortly after was more successful; in fact, Spivak became a major attraction throughout the '40s and he kept his band together until 1959. Spivak lived in later years in Florida, Las Vegas, and South Carolina, putting together orchestras on a part-time basis, staying semi-active up until his death at the age of 75. Among his better recordings were his theme "Let's Go Home," "Autumn Nocturne," and "Star Dreams." Charlie Spivak, who recorded as late as 1981, was married to singer Irene Daye (who was formerly with Gene Krupa's Orchestra)." Enjoy. +

Tracks

1. Stardreams (Theme)
2. Mean to Me
3. Serenade in Blue
4. I Used to Love You
5. Cuddle up a Little Closer
6. Blue Lou
7. Laura
8. More Than You Know
9. Stardust
10. Ac-Cent-Tchu-Ate the Positive
11. Solitude
12. Trav'lin' Light
13. Blue Champagne
14. Let's Go Home
15. It's the Same Old Dream
16. Saturday Night (Is the Loneliest Night of the Week)